This has been one of those shelf queens languishing forever. About the only thing not out of the box is the storage box on turret from Verlinden, exhaust deflector from Academy, and some casting numbers from Archer. Stowage is Value Gear and the tracks will be AFV Club T-49. The markings are probably wrong-I took them from a Microscale sheet that only said 1st East Riding Yeomanry but everything else I had was for Sherman V's. Still a little more dirt weathering then I'm done.
Actually, you're in the ballpark. East Ridng Yeomanry was part of 27th Armoured Brigade, and equipped with Sherman IIIs. A quick check of my library didn't turn up pictures of East Riding tanks, but several of the other two regiments in the brigade...al Sherman III or Firefly. Some of those were welded-hood tanks, but not all. I love the dust effects, Jeff...looks like summer in Normandy!
"You could probably use some armor. A Sherman can give you a very nice...edge!"
Yeah I had trouble figuring out what to mark it as. I've got all these wonderful Archer sets and was all set til I tried to find a III with any of the markings. No joy. Thanks on the weathering. One of these days I'm going to buy me some of that expensive stuff from AK and Mig and try my hand with them. Although, I think I get pretty good results just using oils.
Absolutely you get good results with oils. I'm not a fan of the magazine trend these days which simply shows off how to spend money, I mean use an integrated "system" from some manufacturer with ten thousand available color variations. Traditional techniques work fine for me, too. I use artist's acrylic texture gels and pigments for mud, a Zaloga technique. I drybrush where it is effective. I don't bother "modulating" or "pre-shading" to any great extent. Since I do Shermans, I don't do a lot of chipping because the baked-on paint of US tanks was pretty damn durable. Nothing wrong with old-school modeling.
Greg...I'm like you on the oils. I mix raw umber, titanium white, and yellow ochre to get my different colors. Sometimes Ill throw in enamel just to get a variation. Ill also mix black and yellow ochre to get an olive drab to drybrush after everything is done. The only thing I have ever chipped was a hedgerow cutter on an M4A1. The above Sherman was done using the "zaloga" method with texture gels. Worked pretty well.
But these 2 were 2nd and 3rd attempts with pigments the "rinaldi" way and I think they turned out well also.